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Hamburger Bahnhof – Museum für Gegenwart – Berlin | How to talk with birds, trees, fish, shells, snakes, bulls and lions | 16.11.2018 – 12.5.2019

Antje Majewski<br /><strong>Snail (Doubles)</strong>, 2013<br />Öl auf Holz, 49,3 x 50,5 cm<br />Courtesy of the artist and neugerriemschneider, Berlin / © VG Bild-Kunst, Bonn 2018

Antje Majewski
Snail (Doubles), 2013
Öl auf Holz, 49,3 x 50,5 cm
Courtesy of the artist and neugerriemschneider, Berlin / © VG Bild-Kunst, Bonn 2018

Issa Samb &amp; Antje Majewski<br /><strong>Rue Jules Ferry 17</strong>, 2016<br />HD Video, Farbe, Ton<br />Courtesy of the artist and neugerriemschneider, Berlin<br />© VG Bild-Kunst, Bonn 2018

Issa Samb & Antje Majewski
Rue Jules Ferry 17, 2016
HD Video, Farbe, Ton
Courtesy of the artist and neugerriemschneider, Berlin
© VG Bild-Kunst, Bonn 2018

Carolina Caycedo<br /><strong>Dejar de ser una amenaza para convertirse en promesa (To Stop Being a Threat and to Become a Promise)</strong>, 2017<br />Courtesy of the artist

Carolina Caycedo
Dejar de ser una amenaza para convertirse en promesa (To Stop Being a Threat and to Become a Promise), 2017
Courtesy of the artist

Paulo Nazareth<br /><strong>Ohne Titel/Untitled, aus der Serie / from the series: Mi Imagen de Hombre Exotico (Mein Porträt als exotischer Mann)</strong>, 2011<br />Courtesy of the artist and Mendes Wood DM, São Paulo/New York/Brussels

Paulo Nazareth
Ohne Titel/Untitled, aus der Serie / from the series: Mi Imagen de Hombre Exotico (Mein Porträt als exotischer Mann), 2011
Courtesy of the artist and Mendes Wood DM, São Paulo/New York/Brussels

Olivier Guesselé-Garai<br /><strong>FlowIsla</strong>, 2017<br />Schwarz-Weiß-Fotografie<br />Courtesy of the artist<br />© VG Bild-Kunst, Bonn 2018

Olivier Guesselé-Garai
FlowIsla, 2017
Schwarz-Weiß-Fotografie
Courtesy of the artist
© VG Bild-Kunst, Bonn 2018

<strong>Ausstellungsansicht „How to talk with birds, trees, fish, shells, snakes, bulls and lions“ Hamburger Bahnhof – Museum für Gegenwart – Berlin, 2018 / Carolina Caycedo</strong> <br />© the artist <br />© Staatliche Museen zu Berlin, Nationalgalerie / Thomas Bruns

Ausstellungsansicht „How to talk with birds, trees, fish, shells, snakes, bulls and lions“ Hamburger Bahnhof – Museum für Gegenwart – Berlin, 2018 / Carolina Caycedo
© the artist
© Staatliche Museen zu Berlin, Nationalgalerie / Thomas Bruns

<strong>Ausstellungsansicht „How to talk with birds, trees, fish, shells, snakes, bulls and lions“ Hamburger Bahnhof – Museum für Gegenwart – Berlin, 2018 / Hervé Yamguen &amp; Antje Majewski</strong> <br />© Hervé Yamguen<br />© VG Bild-Kunst, Bonn 2018 <br />© Staatliche Museen zu Berlin, Nationalgalerie / Thomas Bruns

Ausstellungsansicht „How to talk with birds, trees, fish, shells, snakes, bulls and lions“ Hamburger Bahnhof – Museum für Gegenwart – Berlin, 2018 / Hervé Yamguen & Antje Majewski
© Hervé Yamguen
© VG Bild-Kunst, Bonn 2018
© Staatliche Museen zu Berlin, Nationalgalerie / Thomas Bruns

Antje Majewski<br /><strong>Yaadikone</strong>, 2017<br />16:9 HD Video, Farbe, Ton / colour, sound, 11:41 min <br />Courtesy of Antje Majewski, neugerriemschneider, Berlin

Antje Majewski
Yaadikone, 2017
16:9 HD Video, Farbe, Ton / colour, sound, 11:41 min
Courtesy of Antje Majewski, neugerriemschneider, Berlin

Luciana de Oliveira &amp; Guarani-Kaiowa <br /><strong>Ava Marangatu (Heilig sein/Being Sacred)</strong>, 2016<br />Video, Farbe, Ton / Video, color, sound, 15:05 min.<br />Courtesy of the artists and Luciana de Oliveira

Luciana de Oliveira & Guarani-Kaiowa
Ava Marangatu (Heilig sein/Being Sacred), 2016
Video, Farbe, Ton / Video, color, sound, 15:05 min.
Courtesy of the artists and Luciana de Oliveira

Tamás Kaszás<br /><strong>Escapist Story (from The Forest School)</strong>, 2016-2018<br />Video-Diashow, Farbe, Ton / Video slideshow, color, sound <br />Courtesy of the artist and Kisterem Gallery

Tamás Kaszás
Escapist Story (from The Forest School), 2016-2018
Video-Diashow, Farbe, Ton / Video slideshow, color, sound
Courtesy of the artist and Kisterem Gallery

Hervé Yamguen<br /><strong>Medicine Man</strong><br />92 x 65 cm, Farbstift auf Papier<br />Privatbesitz<br />© Nicolas Eyidi

Hervé Yamguen
Medicine Man
92 x 65 cm, Farbstift auf Papier
Privatbesitz
© Nicolas Eyidi

<strong>Ausstellungsansicht „How to talk with birds, trees, fish, shells, snakes, bulls and lions“ Hamburger Bahnhof – Museum für Gegenwart – Berlin, 2018 / Agnieszka Brzeżańska &amp; Ewa Ciepielewska „Flow“</strong> <br />© the artists <br />© VG Bild-Kunst, Bonn 2018<br />© Staatliche Museen zu Berlin, Nationalgalerie / Thomas Bruns

Ausstellungsansicht „How to talk with birds, trees, fish, shells, snakes, bulls and lions“ Hamburger Bahnhof – Museum für Gegenwart – Berlin, 2018 / Agnieszka Brzeżańska & Ewa Ciepielewska „Flow“
© the artists
© VG Bild-Kunst, Bonn 2018
© Staatliche Museen zu Berlin, Nationalgalerie / Thomas Bruns

<strong>Ausstellungsansicht „How to talk with birds, trees, fish, shells, snakes, bulls and lions“ Hamburger Bahnhof – Museum für Gegenwart – Berlin, 2018 / Issa Samb &amp; Laboratoire Agit‘ar</strong>t <br />© the artists <br />© Staatliche Museen zu Berlin, Nationalgalerie / Thomas Bruns

Ausstellungsansicht „How to talk with birds, trees, fish, shells, snakes, bulls and lions“ Hamburger Bahnhof – Museum für Gegenwart – Berlin, 2018 / Issa Samb & Laboratoire Agit‘art
© the artists
© Staatliche Museen zu Berlin, Nationalgalerie / Thomas Bruns

<strong>Ausstellungsansicht „How to talk with birds, trees, fish, shells, snakes, bulls and lions“ Hamburger Bahnhof – Museum für Gegenwart – Berlin, 2018 / Antje Majewski &amp; Paulo Nazareth</strong> <br />© VG Bild-Kunst, Bonn 2018 <br />© Courtesy of the artist and Mendes Wood DM, São Paulo/New York/Brussels <br />© Staatliche Museen zu Berlin, Nationalgalerie / Thomas Bruns

Ausstellungsansicht „How to talk with birds, trees, fish, shells, snakes, bulls and lions“ Hamburger Bahnhof – Museum für Gegenwart – Berlin, 2018 / Antje Majewski & Paulo Nazareth
© VG Bild-Kunst, Bonn 2018
© Courtesy of the artist and Mendes Wood DM, São Paulo/New York/Brussels
© Staatliche Museen zu Berlin, Nationalgalerie / Thomas Bruns

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