18.03.2019
Museum Berggruen
The Heinz Berggruen Collection at the museum of the same name holds an important collection of works by Pablo Picasso that are part of the Nationalgalerie of the Staatliche Museen zu Berlin. The Museum Berggruen is also one of few museums able to offer viewers the opportunity to view and experience the entire oeuvre of this seminal 20th century artist. Its spectrum begins with a drawing Picasso made in youth, dated 1897, touches on each of his stylistic periods, and ends with the artist’s late works in the 1970s.
In the exhibition "Picasso. The Late Work", the Museum Barberini in Potsdam is presenting rarely shown works from the final two decades of the artist’s creative output. The ensemble originates from the collection of Christine Hutin, Picasso’s stepdaughter though his second and last wife, Jacqueline.
During the first half of 2019 audiences in Berlin and Potsdam are being given a rare opportunity to intensively engage with Picasso’s oeuvre. Although a tour of the Museum Berggruen leads through all of Picasso’s stylistic periods, the emphasis is on the early decades of the artist’s career. The exhibition of Picasso’s late work at the Museum Barberini thus offers a welcome augmentation and a chance to familiarise oneself with the artist’s late works on a much deeper level. In the context of a cooperation between the Nationalgalerie and the Museum Barberini in Potsdam, the two presentations mark a new level of collaboration between the two locations.
This tour links the two exhibition locations: It begins at the Museum Berggruen and continues at the Museum Barberini, led by the same guide. Participants are responsible for making their own arrangements to get from Berlin-Charlottenburg to Potsdam.
The price of the tour is 7 EUR. Guided tours at the Museum Barberini are to be paid on site.
Picasso’s late work was created under the influence of contemporary developments and in dialogue with the oeuvres of other artists – spanning from the Old Masters to Picasso’s own time. The collections of the Staatliche Museen zu Berlin offer many examples of these influences. Guided tours led by directors and curators through the Staatliche Museen zu Berlin and the Museum Barberini in Potsdam point out these connections.
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