Online Offers: Provenance Research of the Staatliche Museen zu Berlin

Book cover of the publication “Reconfiguring the past - Visions for a research campus in Dahlem”, Detail — Book cover of the publication “Reconfiguring the past - Visions for a research campus in Dahlem”, Detail © TU Berlin / CODE; Ralf Pasel, Charlotte Perschmann

Reconfiguring the Past - Visions for a Research Campus in Dahlem

Online Publication

Soldier, Relief plaque, Nigeria, 16th or 17th century — Soldier, Relief plaque, Nigeria, 16th or 17th century © Staatliche Museen zu Berlin, Ethnologisches Museum / Claudia Obrocki

Benin Bronzes. Restitution and what now? Part I

Film

Postcolonial Provenance Research at the Humboldt Forum | Video Tour — Postcolonial Provenance Research at the Humboldt Forum | Video Tour © Staatlichen Museen zu Berlin, Humboldt Forum

Postcolonial Provenance Research at the Humboldt Forum | Video Tour

Film

Inventory catalogue B Va. 5639-Va. 6313, detail — Inventory catalogue B Va. 5639-Va. 6313, detail © Staatliche Museen zu Berlin, Museum für Vor- und Frühgeschichte

Accession Logs of the Staatliche Museen zu Berlin

Online Publication

Sifting through the Maasai collections in the Depot East Africa of the Ethnologisches Museum Berlin, 2020 — Sifting through the Maasai collections in the Depot East Africa of the Ethnologisches Museum Berlin, 2020 © Lisa Maier

Feeling Colonialism Through Maasai Objects

Film

Online offers for provenance research by the Staatliche Museen zu Berlin

Website

Caspar David Friedrich, Monk by the Sea, detail, 1808-1810 — © Staatliche Museen zu Berlin, Nationalgalerie / Andres Kilger

Caspar David Friedrich Digital – Restoration and Painting Technique

Bluesky

Follow the Provenance Research Team Dahlem on Bluesky! — Ⓒ Staatliche Museen zu Berlin

Follow the Provenance Research Team Dahlem on Bluesky!

Website

Key visual for the exhibition "Retrotopia. Design for Socialist Spaces" — © Staatliche Museen zu Berlin, Kunstgewerbemuseum

Retrotopia. Design for Socialist Spaces

Film

Back of the carpet during its production on the loom, Rajasthan (India) — © Staatliche Museen zu Berlin, Museum für Islamische Kunst / Anna Beselin

CulturalxCollabs - Weaving the Future

Podcast

© Staatliche Museen zu Berlin, Ethnologisches Museum / Museum für Asiatische Kunst

The Gungervaa - a Mongolian shrine

Film

Alice Mestriner und Ahad Moslemi — © Staatliche Museen zu Berlin, Ethnologisches Museum und Museum für Asiatische Kunst / Pierre Adenis

Ahad Moslemi and Alice Mestriner: Paradeisos. Layers of memory

Film

Symposium Exhibiting Difficult Histories: Jamie Dau — © Staatliche Museen zu Berlin, Ethnologisches Museum

Symposium “Exhibiting Difficult Histories: Benin Objects and their Potential for New Forms of Representation“: Wrap-up

Film

Prof. Dr. Tukufu Zuberi, Lasry Family Professor für race relations und Professor für Soziologie und Africana Studies an der University of Pennsylvania — © Staatliche Museen zu Berlin, Ethnologisches Museum

Symposium “Exhibiting Difficult Histories“: Colonial, Neocolonial, & Decolonial Projects. African Material Culture

Film

Prof. Dr. Kokunre Agbontaen-Eghafona: Indigenous Exhibition of Benin Cultural Objects in Reviewing the Display of ‘Benin Bronzes’ in Nigeria, Europe, and America — © Staatliche Museen zu Berlin, Ethnologisches Museum

Symposium “Exhibiting Difficult Histories“: Indigenous Exhibition of Benin Cultural Objects

Film

Staffan Lundén: On the Benin Bronzes, Hamilton’s pajamas, Powis’s mother and the Potentials for New Forms of Representation — © Staatliche Museen zu Berlin, Ethnologisches Museum

Symposium “Exhibiting Difficult Histories“: On the "Benin Bronzes"

Film

Annie Coombes: Engaging Histories, Envisaging Futures — © Staatliche Museen zu Berlin, Ethnologisches Museum

Symposium „Exhibiting Difficult Histories“: Engaging Histories, Envisaging Futures

Film

Prof. Dr. Lars-Christian Koch, Direktor des Ethnologischen Museums und des Museums für Asiatische Kunst der Staatlichen Museen zu Berlin — © Staatliche Museen zu Berlin, Ethnologisches Museum

Symposium “Exhibiting Difficult Histories: Benin Objects and their Potential for New Forms of Representation“: Greeting and introduction