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Postcolonial Provenance Research at the Humboldt Forum | Amanullah Khan, Buddha, Afghanistan

Film

Museum collections are the result of relationships. Provenance research makes the origins and relational histories behind the objects visible, and scrutinises the unequal power relationships that existed when the objects were acquired.

Postcolonial Provenance Research at the Humboldt Forum | Amanullah Khan, Afghanistan, Room 314 (German only)

Shared Knowledge: Collaborative Provenance Research – Researchers from the Amazon basin at the Ethnologisches Museum
Is Provenance Research Part of the Humboldt Forum’s DNA? Discussion on 20 September 2017


power II relations (Staatliche Museen zu Berlin) (Monograph)
Postcolonial Provenance Research at the Humboldt Forum | Video Tour (Film)
Postcolonial Provenance Research at the Humboldt Forum | Kangaroo tooth necklace (Film)
Postcolonial Provenance Research at the Humboldt Forum | German naval expedition in the Pacific (Film)
Postcolonial Provenance Research at the Humboldt Forum | Feather cloak – King Kamehameha III, Hawai’i (Film)
Postcolonial Provenance Research at the Humboldt Forum | Boat from Luf (Film)
Postcolonial Provenance Research at the Humboldt Forum | Phonograph (Film)
Postcolonial Provenance Research at the Humboldt Forum | Rifle projectiles (Film)
Postcolonial Provenance Research at the Humboldt Forum | Herero girl (Film)
Postcolonial Provenance Research at the Humboldt Forum | King’s throne, Cameroon (Film)
Postcolonial Provenance Research at the Humboldt Forum | Chibinda Ilunga, Angola (Film)
Postcolonial Provenance Research at the Humboldt Forum | Amanullah Khan, Buddha, Afghanistan (Film)
Postcolonial Provenance Research at the Humboldt Forum | Portrait of an officer (Film)
Postcolonial Provenance Research at the Humboldt Forum | State gift from the People’s Republic of China to the GDR (Film)


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