The Pergamonmuseum is completely closed due to construction work. Pergamonmuseum. Das Panorama remains open. Tickets
26.01.2018
to
15.04.2018
Pergamonmuseum
Die Ausstellung „Kopie und Meisterschaft“ im Buchkunstkabinett des Pergamonmuseum ist der Kunst der Nachahmung gewidmet. Gezeigt wird eine Auswahl von Miniaturmalereien und Kalligraphien, die unter der Herrschaft der islamischen Moghulkaiser (1526–1858) in Indien entstanden sind.
Die Ausstellung illustriert das breite Spektrum des Kopierens, das von der Vervielfältigung berühmter Vorbilder bis zu ihrer gezielten Abwandlung reicht. Schwerpunktmäßig werden drei Themenfelder vorgestellt:
Eine Ausstellung des Museum für Islamische Kunst
Organizer
Venue
Address / Getting there
Visitor entrance
James-Simon-Galerie, Bodestraße
10178 Berlin
partially wheelchair accessible
Please note: Pergamonmuseum is exclusively entered through James-Simon-Galerie!
Site plan: Entrance to the Pergamonmuseum and Neues Museum (PDF)
All groups meet at the information desk at the upper foyer in James-Simon-Galerie, entering by using the big stairway.
Advice for group visits to the Pergamonmuseum an the Neues Museum (PDF)
Due to a technical issue, the lift is out of service until further notice, meaning the Museum für Islamische Kunst is not currently wheelchair accessible. The major architectural exhibits – such as the Processional Way, featuring the Ishtar Gate and the Market Gate of Miletus – are still accessible to people with mobility issues.
U-Bahn: Museumsinsel (U5)
S-Bahn: Friedrichstraße, Hackescher Markt
Tram: Am Kupfergraben, Hackescher Markt
Bus: Staatsoper, Lustgarten, Friedrichstraße
Low-carbon public transport connections
Local traffic
Long distance
Opening times
Sun closed
Mon closed
Tue closed
Wed closed
Thu closed
Fri closed
Sat closed
Opening times on public holidays Opening Hours
The exhibition Copy and Mastery in the Pergamonmuseum’s Buchkunstkabinett is devoted to the art of imitation. On display is a selection of miniature paintings and works of calligraphy which were created in India under the rule of the Islamic Moghul emperors (1526–1858).
The exhibition illustrates the broad spectrum of copying activities, from the reproduction of famous originals to their deliberate modification. Three themes are highlighted:
· Copying as a component of an artist’s training
· Copying as a workshop activity
· Copying as creative dialogue