The Photography Collection comprises more than 760,000 photographs from the early years of the medium through to contemporary works of art. This includes the image archive and the collection of artistic photography, which comprises sections ranging from art photography from the turn of the 20th century and the Neues Sehen movement of the 1920s, through to contemporary works. As well as this, the Collection boasts a rich array of photogrammetric photographs, historical postcards, and bequeathed estates of photographic material.
The Kunstbibliothek began collecting photographs in 1868, with an initial focus on material that could be used to form an image archive on architecture. The images of works of architecture and cityscapes, documentary and product photographs, all the way through to travel pictures from right around the world were produced mostly by commercial studios and photographers, such as Edouard Baldus, Domenico Bresolin, Robert MacPherson, Samuel Bourne, Eugène Atget, F. Albert Schwartz, Julie Laurberg, Werner Mantz, and Arthur Köster.
The core of the collection on art photography from the turn of the 20th century is made up of two large groups of works from the collectors Ernst Juhl and Fritz Matthies-Masuren, including pictures by Edward Steichen, Alfred Stieglitz, Heinrich Kühn, Minya Diez-Dührkoop and Hugo Henneberg. Between 1929 and 1932, major works from the Neues Sehen (New Vision) movement were purchased for the collection of artistic photography – most significantly pictures from the legendary Werkbund exhibition Film und Foto, which in 1929 were acceded to the Berlin collection from Stuttgart. The most important figures represented here include Aenne Biermann, Max Burchartz, Hans Finsler, Florence Henri, Helmar Lerski, László Moholy-Nagy, Albert Renger-Patzsch, and Sasha Stone.
It was not until the 1990s that the Collection began to actively expand its holdings again. Since then, a number of bequests and significant groups of works have been added to the Collection, including:
The objects from the collection are stored at the Museum für Fotografie, where they can be inspected. Prior registration is necessary.
The digital database only provides access to sections of the Photography Collection. If you cannot find particular items on there, get in touch with the Kunstbibliothek by telephone or email.
Museum für Fotografie
Jebensstrasse 2
10623 Berlin
By appointment.
E-Mail: kb[at]smb.spk-berlin.de
Held with generous support from the Verein der Freunde des Museums für Fotografie
In May 2010 the Kaisersaal on the second floor of the Museum für Fotografie was able to be reopened after extensive renovation work and redesign. A spacious exhibition room, designed by Kahlfeldt Architekten, was created that now meets all the modern demands for the display of historical photographic works. Since its opening in 2004, the Museum of Photography has established itself as the central, integrative meeting point for the medium of photography at the Staatliche Museen zu Berlin. With its series of exhibitions, ranging from 19th century travel photography to contemporary photo installations, the museum has not just made a name for itself in the photographic world but has also managed to build up a specialist library and host numerous symposia and lectures.
The symposium on 'Photography in the Museum' was held in preparation for the opening. The symposium placed the new museum in Berlin within a broader European context to help anchor the Museum für Photografie in the network of the major photographic museums and photographic collections. Colleagues from German and European institutions were invited to showcase their organizations’ work.
The greatest focus was afforded those institutions that had been established since 1999. The debate centred around the pressing questions in photography as it approaches the end of the analogue stage in its development:
What kinds of photographs are to be collected and preserved?
How are they to be researched?
How are they to be made accessible to the public?
Below is a list of the lectures and discussions held during the symposium, with transcripts available to download (in German). Several lectures are published here as textual companions to the spoken events, with minor subsequent changes made to them, while others have been revised by the authors since they gave their talks. The typescripts of the various discussions have been compiled by Katrin Baumgarten, with Astrid Bähr, Ludger Derenthal and Kristina Lowis responsible for the editing.
The lectures:
Welcoming introduction
Wilfried Wiegand, Verein der Freunde des Museums für Fotografie
Photography at Berlin museums and institutions
Florian Ebner, Fotografische Sammlung, Berlinischen Galerie, Berlin
Matthias Harder, Helmut Newton Stiftung, Berlin
Stephan Erfurt, C/O Berlin, Berlin
Photography at German museums
F. C. Gundlach, Stiftung F. C. Gundlach, Hamburg
T. O. Immisch and Anja Jackes, Sammlung Photographie at the Stiftung Moritzburg, Halle an der Saale
Andreas Krase, Technische Sammlungen Dresden
Claude W. Sui, Forum Internationale Photographie (FIP) at the Reiss-Engelhorn-Museen, Mannheim
Photography at European museums
Ingrid Fischer Jonge, Museet for Fotokunst, Odense
Frits Gierstberg, Nederlands Fotomuseum, Rotterdam
Monika Faber, Albertina, Fotosammlung, Wien
Xavier Canonne, Musée de la Photographie, Charleroi
The Staatliche Museen zu Berlin and photography
Hans-Peter Frentz, Bildagentur bpk
Raffael Gadebusch, photography at the Museum für Asiatische Kunst
Moritz Wullen, Kunstbibliothek and Collection of Photography
Ludger Derenthal, Museum für Fotografie