In the framework of his second fellowship, George Nuku produced a three-part artistic installation, which will be presented as an intervention in the Oceania exhibition at the Ethnologisches Museum in May 2025. Committed to cultural education, the artist also uses his second fellowship to organise an upcycling art workshop with Berlin residents to create sea animals made from recycled material, to create a living underwater world. George Nuku on this:

In my artwork, I want to focus on the relationship between humans and the sea, and the impact of climate change. In both rooms – “Polynesia” and the “Boat Room” – I take up the theme of the exhibition and refer to the exhibits on display there. My idea is to explore the inter-relationships between the past and the future, between new and ancient artworks, between a descendant of the origin families and the museum stewards of these ancestral treasures – residing within this institution, they are brought to the light of the present.

George Nuku (*1964 in Omahu, Aotearoa, New Zealand) is a highly regarded and internationally known Māori artist working in stone, bone, wood, shell, polystyrene and plexiglass. His works range from delicate jade and pearl amulets to life-size stone and plexiglass sculptures, inspired by Polynesian demi-gods and Māori cultural heroes. George Nuku incorporates the tradition of his people, handed down for thousands of years, into an art form that promises to prolong life and enhance survival.

This fellowship is supported by Künstlerhaus Bethanien, which provides a studio for artistic and scientific research.