Karl Friedrich Schinkel, Die Zauberflöte, Oper von Wolfgang Amadeus Mozart, Entwurf zur Dekoration, Die Sternenhalle der Königin der Nacht, Detail / Bildnachweis: Staatliche Museen zu Berlin, Kupferstichkabinett / Jörg P. Anders

Karl Friedrich Schinkel, Die Zauberflöte, Oper von Wolfgang Amadeus Mozart, Entwurf zur Dekoration, Die Sternenhalle der Königin der Nacht, Detail / Bildnachweis: Staatliche Museen zu Berlin, Kupferstichkabinett / Jörg P. Anders

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FOTOGAGA. Max Ernst and Photography
A Visit from the Würth Collection

18.10.2024 to 27.04.2025
Museum für Fotografie

Max Ernst holds a prominent position within Dada and Surrealist Art. His name stands for genre-bending works that combine dream and reality. The exhibition FOTOGAGA: Max Ernst and Photography. A Visit from the Würth Collection is the first to search for points of intersection between his work and photography. Commemorating Surrealism’s centenary, the Museum für Fotografie (Museum of Photography) is showing a representative overview of Max Ernst’s artworks from the Würth Collection. These are complemented by works from the Kunstbibliothek, Kupferstichkabinett, Sammlung Scharf-Gerstenberg and the Staatsbibliothek zu Berlin, and other exceptional loans from museums and private collections in France and Germany.

Max Ernst and Photography – A Special Connection

The art of Max Ernst (1891–1976) was created at a time characterised by a new, creative approach to photography. Snapshots, scientific photographs and images of war machinery inspired him and served as working materials, especially for his collages. Technical and artistic developments in the medium of photography significantly influenced his work. He used photographic reproduction techniques to increase the visual impact of his works: enlargements allowed his small-format collages to hold their own alongside paintings in exhibitions; the production of photo postcards of the collages ensured that the works could be distributed quickly and easily; and the inversion of the tonal values in a photogram enhanced the effect of his frottages.

Max Ernst himself never used a camera for his art, but he liked to pose for the camera, whether for images taken by well-known photographers or made in photo booths. At times serious, at times a little “gaga”, the portraits illustrate not just the artist’s love for playfulness but also an occasionally strategic use of photography to promote his artistic agenda. The title of the exhibition ‒ “FOTOGAGA” ‒ is derived from a group of works by Hans Arp and Max Ernst, which they called “FATAGAGA”: the “FAbrication de TAbleaux GAsométriques Garantis (Fabrication of Guaranteed Gasometric Images)”. One of these photocollages, in which the two artists address their relationship as friends, can be seen in the exhibition.

A Century of Surrealism

Some 270 works will be exhibited, primarily works on paper but also paintings by Max Ernst and photographs, photograms, collages, and illustrated books by his Surrealist contemporaries. Although these artists were explicitly not dealing with mundane reality but instead with what lies beneath, behind and in-between, the still relatively new medium of photography was of great importance for many. Last but not least, they also used it to make visible what remains hidden to the naked eye without technical means: the distant, the tiny, the moving.

Max Ernst’s works are framed within the context of both contemporary and historical references. There are numerous and surprising parallels to photographs by other artists. An avid delight in experimentation and a creative game played with chance characterise the works selected for the exhibition. Their originators reflected on forgotten photographic processes from the 19th century and developed new techniques using light-sensitive materials. Semi-automatic methods, working with found objects, unusual combinations, and the blurring of traces have equally shaped the work of Max Ernst and the photographic oeuvres of many of his contemporaries and other artists that followed. Even a century after André Breton published the first Surrealist Manifesto on 15 October 1924, they have not lost any of their fascination.

A Cooperation with Tradition

The Staatliche Museen zu Berlin look back on a longstanding cooperation with the Würth Collection. FOTOGAGA: Max Ernst and Photography is the fourth exhibition in a series that began in 2019‒20 with Anthony Caro: The Last Judgement Sculpture from the Würth Collection at the Gemäldegalerie. It was followed in 2021‒22 by Illustrious Guests: Treasures from the Kunstkammer Würth in the Kunstgewerbemuseum and David Hockney – Landscapes in Dialogue. “The Four Seasons” from the Würth Collection in 2022, also shown at the Gemäldegalerie. The exhibition at the Museum für Fotografie draws on the Würth Collection’s extensive holdings, especially of Max Ernst’s graphic works, which are now being shown in Berlin for the first time.

Special Events

An extensive programme of tours and workshops invites visitors to discover the exhibition through discussion and exchange, as well as to try out Surrealist techniques themselves. A series of lectures beginning in February 2025 examines individual issues raised in the exhibition from different perspectives.

Publication Accompanying the Exhibition

A richly illustrated catalogue in German and English is being published (Wienand Verlag) with essays by Katja Böhlau, Ludger Derenthal, Michael Lailach and Jürgen Pech.

Curatorial Team

The exhibition is curated by Katja Böhlau and Ludger Derenthal, Kunstbibliothek – Staatliche Museen zu Berlin.


Media partner: Monopol

A special exhibition by the Kunstbibliothek – Staatliche Museen zu Berlin and the Würth Collection

Joseph Breitenbach: Max Ernst, Paris 1936. Silbergelatinepapier, 35,3 x 27,8 cm. Sammlung Würth
© The Josef and Yaye Breitenbach Charitable Foundation
FOTOGAGA. Max Ernst and Photography | guided tour

Museum für Fotografie
Guided tour (60 min)

Talk in the Gemäldegalerie
© Staatliche Museen zu Berlin / Valerie Schmidt
Anthony Caro, The Last Judgement Sculpture, exhibition view Gemäldegalerie 2019, Sammlung Würth,
© Barford Sculptures Ltd, © Staatliche Museen zu Berlin, Gemäldegalerie / David von Becker

20.12.2019 to 01.11.2020

Illustre Gäste. Kostbarkeiten der Kunstkammer Würth, Ausstellungsansicht, Kunstgewerbemuseum 2021
© Staatliche Museen zu Berlin / David von Becker

10.12.2021 to 10.07.2022

David Hockney – Landscapes in Dialogue: The “Four Seasons” from the Würth Collection on Display in Berlin, exhibition view
© Staatliche Museen zu Berlin / David von Becker

09.04.2022 to 10.07.2022

Jebensstraße 2
10623 Berlin

wheelchair accessible

U-Bahn: Kurfürstendamm, Zoologischer Garten
S-Bahn: Zoologischer Garten
Bus: Kurfürstendamm, Zoologischer Garten

Sun 11:00 - 19:00
Mon closed
Tue 11:00 - 19:00
Wed 11:00 - 19:00
Thu 11:00 - 20:00
Fri 11:00 - 19:00
Sat 11:00 - 19:00

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