The Nationalgalerie is currently reassessing its holdings with the aim of seeing them from a global perspective. The research and exhibition project has been funded by the German Federal Cultural Foundation, as a part of the initiative ‘Global Museum’.
Characterized by historical and political ruptures, the collection is currently Western-oriented, expanded mainly by a marked focus on North America, and the merging of East and West German post-war art collections. What might the collection include today, had a global understanding characterized its concept of art and consequently also its genesis? What challenges would such a change in perspective – as motivated by the heightened interconnectedness of our increasingly globalized world – bring to a museum, today and in the future?
Global Museum: Where do we go from here?
A conference by Nationalgalerie – Staatliche Museen zu Berlin in cooperation with the German Federal Cultural Foundation; with kind support by Freunde der Nationalgalerie e.V.
September 30 to October 1, 2019, Hamburger Bahnhof – Museum für Gegenwart – Berlin, Historische Halle
As part of the “Global Museum” programme of the Federal Cultural Foundation, several German art museums have conducted a critical examination of their collections, and by extension, also the Western canon of modern art. As the MMK in Frankfurt, the Nationalgalerie in Berlin and the Kunstsammlung NRW in Düsseldorf conclude their projects, this conference takes stock of the progress achieved thus far: What consequences has “Global Museum” had for the institutions? How and to what extent are the projects the subject of public debate? Are the museums planning to shift their orientation in the long term and what challenges would arise from such a decision? How can museums build a lasting international network and what can they learn from artists?
The exhibition project "Hello World. Revising a Collection" asks these questions and more. It will be on display from April 28 until August 26, 2018 at the Hamburger Bahnhof, covering the majority of the exhibition space. Works and groups of works from the collection function as starting points for thematic explorations of the complex web of international and trans-cultural ties, from 1900 to the present. A curatorial team is in the process of creating a draft for a museum that displays the historical, cultural, and political complexity of its holdings.
Museum and Curating Practices in Southeast Asia
RECOLLECTIONS. EXPERIENCES. COMMUNITIES
Wednesday, 25. April 2018, 4 to 9 p.m.
At the invitation of Goethe Institute Jakarta curators, museum directors and artists from Southeast Asia and Germany are invited to Berlin to share their experience, views and different perspectives concerning exhibition practices in transition in Southeast Asia within three panels and a following panel discussion. Between 4 and 6 pm the programme is accompanied by the performance “Sweet Dreams Sweet“ by the Indonesian artist Melati Suryodarmo.
The conference is a cooperation between the Goethe Institut and the Nationalgalerie — Staatliche Museen zu Berlin and takes place on the occasion of the exhibition "Hello World. Revising a collection“ at Hamburger Bahnhof – Museum für Gegenwart – Berlin.
The weekend of oceanic performances, installations and panels, presented by the TBA21–Academy in association with the Nationalgalerie of the Staatliche Museen zu Berlin is prologue of the the research and exhibition project of the Nationalgalerie, which is part of the ‘Museum Global’ initiative.
The title is based on a Polynesian creation myth, according to which the archipelagos’ islands were fished out of the sea. Within 36 hours, i.e. three tide cycles, the project comprises a diverse programme of oceanic activities in the historic hall of the Hamburger Bahnhof – Museum für Gegenwart – Berlin.
The conference ‘The Idea of the Global Museum’ was held at the Hamburger Bahnhof on 2 and 3 December 2016. Over two days, conference participants offered specific knowledges and points of view: What are the effects of a “global” approach on museum work past, present, and future? What are its necessities, possibilities, and challenges? Is there a common denominator for “global” museum practice?
Offering alternative narratives to a limited yet mainstream canon of art has become one of the primary tasks of museum practice. The conference takes this status quo as a starting point for discussing museum programs, particularly those of museums of modern and contemporary art, which are thinking research, collection, exhibition, and public from a global perspective. In current discourse, such endeavors take notions of inclusivity and diversity as well as universalism and imperialism as animating principles. They all enter into “The Idea of the Global Museum,” a title that serves as shorthand for a debate on the different approaches that museums are taking today, and that could be taken in the future.
Conference at Hamburger Bahnhof | Day one | Keynote by Luis Camnitzer