View of the sculpture hall with the tondo relief by Bertel Thorvaldsen (1768–1844) “Perseus and Andromeda”, 1839 © Staatliche Museen zu Berlin, Nationalgalerie / David von Becker
Auguste Rodin’s “The Age of Bronze” from 1875–1876, alongside Éduard Manet’s “In the Conservatory”, 1878/1879 © Staatliche Museen zu Berlin, Nationalgalerie / David von Becker
Frescoes from Casa Bartholdy in Rome, 1816–1817 © Staatliche Museen zu Berlin, Nationalgalerie / David von Becker
Adolph von Menzel (1815–1905), “Frederick the Great Playing the Flute at Sanssouci”, 1850–1852 © Staatliche Museen zu Berlin, Nationalgalerie / David von Becker
The Friedrich room, with Caspar David Friedrich’s (1774–1840) “The Watzmann” in the centre of the image, 1824–1825 © Staatliche Museen zu Berlin, Nationalgalerie, Leihgabe der DekaBank / David von Becker
Adolph Menzel (1815–1905), 'Frederick the Great and Emperor Joseph II Meet', 1855–1857 and 'Frederick the Great Addresses his Generals before the Battle of Leuthen', 1859–1861 © Staatliche Museen zu Berlin, Nationalgalerie / David von Becker
Exhibition space with works by Franz von Stucks (1863–1928). In the centre, “The Sin”, ca. 1912 © Staatliche Museen zu Berlin, Nationalgalerie / David von Becker
The Alte Nationalgalerie’s holdings include Romantic and Impressionist masterpieces as well as a world-class collection of works by Adolph Menzel. The museum’s collection dates back to a gift from the banker Johann Heinrich Wilhelm Wagener to the Prussian state in 1861, a bequest of 262 works with an emphasis on Belgian history painting and the Düsseldorf school. However, this collection also included Caspar David Friedrich’s "Lonely Tree" and Karl Friedrich Schinkel’s "Gothic Church on a Rock by the Sea", which formed the foundation for what are today two of the Nationalgalerie’s most significant suites of works from the early 19th century.
By the time it opened in 1876, the Nationalgalerie had acquired enough paintings, sculptures, and sketches to increase its holdings by half. The museum’s director, Impressionism-enthusiast Hugo von Tschudi, acquired Édouard Manet’s "In the Conservatory" and Claude Monet’s "View of Vétheuil" in 1896, making the Nationalgalerie the first museum in the world to purchase Impressionist art.
Ludwig Justi, Tschudi’s successor, was equally pioneering in his work at the museum. After 1918 he assembled a singular collection of Expressionist art, exhibited in the Kronprinzenpalais on Unter den Linden, including masterpieces such as Franz Marc’s painting "The Tower of Blue Horses", which has since been lost. The works from this modern-art department that survived the iconoclasm of the Nazi regime and the devastation of the war can now be found at the Neue Nationalgalerie. On view in the Alte Nationalgalerie, Lovis Corinth’s "The Blind Samson" is testament to the rise of modernism and is exemplary of painting at the end of the "long" 19th century.
Today, the Alte Nationalgalerie owns approximately 1800 paintings and 1500 sculptures. A selection of sculptural works – among them Johann Gottfried Schadow’s famous "Princesses Luise and Friederike" – is located on the first floor of the building. Additional sculptures from the 19th century can be found in the Friedrichswerdersche Kirche.
The museum’s display of 19th century art begins on the third floor with painting from the "Age of Goethe". Aside from those paintings and suites by Schinkel and Friedrich mentioned above, highlights include frescoes of the Nazarenes created for the Casa Bartholdy in Rome, and the paintings of Carl Blechen.
The main axis of the second floor is formed by a gallery of Impressionist painting and the gallery of "German Roman" artists, with key works by Arnold Böcklin, including a version of the famous "Isle of the Dead", paintings by Hans von Marées, and pictorial works by Adolf von Hildebrand. In the adjacent rooms, the works of Anselm Feuerbach and the Munich School attest to the diversity of artistic expression in the second half of the century, while the paintings of Max Liebermann herald the arrival of Impressionism in Germany.
After passing through the sculpture hall on the first floor of the exhibition, visitors are presented with a broad survey of European paintings, with works by John Constable, Gustave Courbet, and the Barbizon school. The rear transverse hall and apse are dedicated to Adolph Menzel. A number of his most renowned paintings are on prominent display, among them scenes from the life of Frederick the Great such as the "Iron-Rolling Mill" and "The Balcony Room". In the rooms adjoining to the east, the paintings of Anton von Werner exemplify the academic style favoured by Wilhelm II during the Kaiserreich.
Today, the collection of the Alte Nationalgalerie is a historical one, and is only expanded under exceptional circumstances. One recent example is the acquisition of Adolph Menzel’s "The Petition", which serves as an excellent complement to his paintings from the life of Frederick the Great already on display.
The collection of the Alte Nationalgalerie is one of the most extensive period collections of art from between the French Revolution and World War I; between Neoclassicism and Secession. The collection is further enhanced by the unique harmony between the collection and the architectural style of the building in which it is housed.
The chronological tour through the art of the 19th and early 20th century begins on the third floor:
The art of Goethe’s era is represented by Jakob Philipp Hackert’s landscapes, along with portraits by Anton Graff and his contemporaries, and artworks by the Nazarenes, who first worked in Rome. The unique frescoes depicting the Old Testament story of Joseph – commissioned for Casa Bartholdy in Rome – were created by Peter Cornelius, Fredrich Overbeck, Wilhelm Schadow and Philipp Veit. Today they can be viewed in a dedicated exhibition room.
A newly established room on the upper floor showcases the significant collection of paintings by Caspar David Friedrich – a highlight of the tour. In another room, visitors are invited to admire Karl Friedrich Schinkel’s idyllic architectural landscapes, from cathedral visions of early times to the programmatic painting View of the Flower of Greece.
The paintings and oil studies of Carl Blechen – a realist and Romantic painter who worked in Berlin but was important throughout Germany – are another key focus. Works by Philipp Otto Runge and Christian Gottlieb Schick, along with landscapes by Joseph Anton Koch and Carl Rottmann, are also on display. The Biedermeier period is represented through Berlin cityscapes by Eduard Gaetner and Johann Erdmann Hummel, as well as genre scenes by Ferdinand Georg Waldmüller.
Masterpieces of Impressionist painting by Edouard Manet, Claude Monet, Auguste Renoir, Edgar Degas and Paul Cézanne, in addition to sculptures by Auguste Rodin, count among the collection’s early acquisitions.
Paintings from the second half of the 19th century are on view in the Deutschrömer room, together with major works by Arnold Böcklin, including a version of the famous Isle of the Dead, paintings by Hans von Marées and Anselm Feuerbach, and sculptures by Adolf von Hildebrand.
Other rooms feature major works by Hans Thoma, Wilhelm Leibl and his circle, Carl Spitzweg, and the Weimar School of Painting. Additionally, the Nationalgalerie has numerous works on show from its large collection of paintings by Max Liebermann.
The transverse sculpture hall is home to such famous works as Johann Gottfried Schadow’s Princess Group, alongside works by Christian Daniel Rauch, Berthel Thorvaldsen, Antonio Canova and Ridolfo Schadow.
These are followed by works by John Constable, Gustave Courbet and the Barbizon School, organised into various “paths of realism”. The rear transverse hall and the apse cabinet are dedicated to the works of Adolph Menzel. His paintings, including such notable works as the Flute Concert, the Balcony Room and the Iron Rolling Mill, reveal the artist as a tireless observer who not only depicted themes from Prussian history, but also addressed his everyday milieu with astonishing subtlety and liberty. The adjoining rooms are dedicated to art of the Gründerzeit, Symbolism, and Secession.