How can culture be preserved in times of war? The exhibition Cultural Landscape Syria – Preservation and Archiving in Times of War invites visitors on a virtual journey of discovery through the cultural landscape of Syria, with objects, films, photos and interactive screens. At the same time, it provides insights into the work of the Syrian Heritage Archive Project, and thus, into the practice of cultural preservation.
Syria is an important cultural landscape that produced some of the fundamental achievements of civilisation, such as the development of urban life and the alphabet. Unique historical and archaeological monuments bear witness to the country’s rich history, spanning thousands of years from the civilisations of the ancient Near East, to Greek and Roman antiquity, and on through the Byzantine-Christian and Islamic eras. At the same time, the greater region’s geographical location between the Mediterranean, the Anatolian-Iranian highlands and the Persian Gulf made it a hub for long-distance trade. The character of the cultural heritage of Syria was strongly shaped by the mobility of people and goods, and the diversity that this brought with it.
This rich cultural landscape has always fascinated travellers and researchers alike. Today, their reports, photos, plans and maps are a valuable basis for the reconstruction of monuments and sites destroyed by war. Since 2013, the Syrian Heritage Archive Project has been collecting them in a digital archive and making them accessible to posterity. Two project groups are working at the Museum für Islamische Kunst of the Staatliche Museen zu Berlin and at the Deutsches Archäologisches Institut. This work has led to the creation of the most comprehensive archive on Syrian culture outside of the country. Parts of the archive are now being presented to the public for the first time.
The exhibition focuses on the ancient cities of Damascus and Aleppo, the oasis city of Palmyra, Raqqa and the so-called Dead Cities. These places have been affected in very different ways by the events of the war that erupted in Syria in 2011. It is not just the inhabitants that were plunged into disaster. The material cultural treasures and the expressive forms of the region’s immaterial cultural have also been destroyed, are seriously endangered or have been irretrievably lost. Ancient cities that were previously largely intact, such as those of Aleppo and Bosra, as well as the ancient oasis city of Palmyra, have been severely affected. The so-called Dead Cities from early Christian times were also damaged. The crusader fortress Krak des Chevaliers has already been repaired. Only the ancient city of Damascus and the Salah el-Din castle have so far been spared major damage.
The work of the Syrian Heritage Archive Project inspired the Museum für Islamische Kunst to undertake follow-up projects, with a focus on Aleppo, the oldest continuously inhabited city in the world. The “Aleppo Built Heritage Documentation Project” documents in detail the destruction of important historical buildings in the ancient city. “Crossroads Aleppo: Our City, Common Cultural Heritage, Our Memory” involves the inhabitants of Aleppo and develops background material on Aleppo’s historical buildings. The “Interactive Heritage Map of Syria” collects oral traditions and memories from and about Syria. Together, these projects make up the Syrian Heritage Initiative, which is presented in the exhibition in a new form as an internet archive. The archive is easily accessible in German, English and Arabic, and invites users to actively engage with the platform.
The Syrian Heritage Archive Project is supported by the Cultural Preservation Programme of the German Federal Foreign Office, Gerda Henkel Foundation, Alwaleed Philanthropie and the Friends of the Museum for Islamic Art in the Pergamonmuseum e.V.
Address / Getting there
partially wheelchair accessible
Please note: Pergamonmuseum is exclusively entered through James-Simon-Galerie!
Site plan: Entrance to the Pergamonmuseum and Neues Museum (PDF)
All groups meet at the information desk at the upper foyer in James-Simon-Galerie, entering by using the big stairway.
Advice for group visits to the Pergamonmuseum an the Neues Museum (PDF)
Due to a technical issue, the lift is out of service until further notice, meaning the Museum für Islamische Kunst is not currently wheelchair accessible. The major architectural exhibits – such as the Processional Way, featuring the Ishtar Gate and the Market Gate of Miletus – are still accessible to people with mobility issues.
S-Bahn: Friedrichstraße, Hackescher Markt
Tram: Am Kupfergraben, Hackescher Markt
Bus: Staatsoper, Lustgarten, Friedrichstraße
Low-carbon public transport connections
Sun 10:00 - 18:00
Tue 10:00 - 18:00
Wed 10:00 - 18:00
Thu 10:00 - 20:00
Fri 10:00 - 18:00
Sat 10:00 - 18:00
Opening times on public holidays Opening hours
Access via James-Simon-Galerie
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Admission / Public health measures