03.10.2008 to 22.02.2009
Hamburger Bahnhof – Nationalgalerie der Gegenwart
The image and the idea of the autonomous, creative artistic genius was subjected to a variety of attacks by the avant-garde movements of the early 20th century. Since the 1960s, many artists have taken critiques of the heroic image of the artist even further, often radically questioning a conception of art that is oriented toward the autonomous work.
Influenced to some extent by the discourse of the "death of the author" and paralleled by a critical confrontation of art as an institution, artists have interrogated and deconstructed a range of stereotypes associated with an often masculinized ideal of creative genius.
In the process, conventional models of authorship have been critically scrutinized, along with traditional notions of masculine and feminine creativity. At times humorously, at times sarcastically, at times even destructively, the status of the artist within the art world has been the object of sustained reflection, and categories such as authenticity and subjectivity interrogated.
A variety of approaches to deconstructing the myth of the artist since the 1960s have foregrounded the ambivalence of the artist's perennial role, located between decomposition and affirmation, and have provoked discussion of the societal expectations of the artistic personality.
On display are works by Francis Alÿs, Art & Language, Azorro, Bernadette Corporation, George Brecht, Marcel Broodthaers, Marcel Duchamp, Maria Eichhorn, VALIE EXPORT, Peter Fischli & David Weiss, FLUXUS, Andrea Fraser, Dan Graham, Rodney Graham, Richard Jackson, Christian Jankowski, Martin Kippenberger, Sarah Lucas, Paul McCarthy, Bruce Nauman, Adrian Piper, Pipilotti Rist, Ugo Rondinone, Dieter Roth, Ed Ruscha, Antje Schiffers, Cindy Sherman, Mladen Stilinović, Sturtevant, Vibeke Tandberg, Lawrence Weiner from the Friedrich Christian Flick Collection im Hamburger Bahnhof, the collections of the National Museums in Berlin and other collections.