Dr. des. Erik Eising

Function

Research Associate (Gemäldegalerie)

Institution

Gemäldegalerie

Contact

h.eising[at]smb.spk-berlin.de

Focus | Responsibilities | Projects

• Assistant curator of the exhibition "Frans Hals" (Gemäldegalerie SMB, 12.07.-03.11.2024)
  Announcement of the exhibition "Frans Hals" (Gemäldegalerie SMB)
• Assistant curator of the exhibition "Hugo van der Goes" (Gemäldegalerie SMB, 31 March - 16 July 2023)
  Announcement of the exhibition "Hugo van der Goes" (Gemäldegalerie SMB)
• Research project "Maerten van Heemskerck and Haarlem" (Gemäldegalerie SMB, 2022-2023)

Vita

Membership

• Since 2022: Member of HNA (Historians of Netherlandish Art)
• Since 2017: Member of CODART (Curators of Dutch and Flemish Art)
• Since 2017: Member of ICOM Deutschland e.V.
• Since 2017: Member of the Vereniging van Nederlandse Kunsthistorici
• Since 2013: Member of the Verband Deutscher Kunsthistoriker e.V.
• Since 2009: Member of the ANKK (Arbeitskreis Niederländische Kunst- & Kulturgeschichte e.V.)

Publications

• Dagmar Hirschfelder, Katja Kleinert, Erik Eising (eds.): Frans Hals. Master of the Fleeting Moment, Berlin 2024.
• Stephan Kemperdick, Erik Eising (eds.): Hugo van der Goes, Munich 2023.
• Erik Eising: „Zwischen Hans Memling und Hugo van der Goes. Die Flügel des Frankfurter Marientriptychons“, published in, Berit Wagner, Almut Pollmer-Schmidt und Heidrun Lange-Krach (eds.), Das Werk im Zentrum. Kunstgeschichte mit Objekten aus dem Städel Museum und der Liebieghaus Skulpturensammlung, Berlin 2023, pp. 98-105.
• Erik Eising: "Jan Gossart, Danaë", published in, CODART (ed.), CODART Canon. 100 Masterpieces Dutch and Flemish Art (1350-1750), Tielt 2021, pp. 70-71.
• Erik Eising: "Master of the Housebook, Christ Washing His Disciples’' Feet, The Last Supper", published in: Staatliche Museen zu Berlin (ed.), Late Gothic. The Birth of Modernity, Berlin 2021, p. 295.
• Erik Eising: Depicting Panel Painting in Fifteenth-Century Netherlandish Art: Questions of Transfer and Reception, published in: Péter Bokody, Alexander Nagel (eds.), Renaissance Metapainting, Turnhout 2020, pp. 89-119.
• Erik Eising: multiple catalogue entries, published in: Jochen Sander (ed.), In neuem Glanz. Das Schächer-Fragment des Meisters von Flémalle im Kontext / With New Splendour. The Crucified Thief by the Master of Flémalle in Context, Regensburg 2017, pp. 154-161.
• Erik Eising: "Both Business and Pleasure: Albrecht Dürer's Journey to the Netherlands (1520-21)", published in: Jochen Sander (ed.), Dürer. His Art in Context, Munich 2013, pp. 331-335