Anja Wolf

Tickets

Dipl. Rest. Anja Wolf

Function

Conservator (Gemäldegalerie)

Institution

Gemäldegalerie

Contact

a.wolf2[at]smb.spk-berlin.de

Focus | Responsibilities | Projects

German paintings of the 18th century
Project: Studies into the painting technique of Anna Dorothea Therbusch with focus on the use of red lake pigments in context of the artist's colour experiments.
Project: New lighting concept
Supervision of the de-/ and reinstallation of the paintings, divided in 4 sections, October 2021 - September 2023
Member of the working group "Digital transformation in Conservation"
Development of a concept for the changeover from analogue to mobile digital processes for object documentation

Vita

Since 02/2021	Painting conservator, Gemäldegalerie der Staatlichen Museen zu Berlin
2006 until 2021	Painting conservator, Stiftung Preußische Schlösser und Gärten Berlin - Brandenburg a.o. Paricipation in the catalogue project on the paintings by Lucas Cranach and the German paintings of the 15th and 16th century
2002 until 2006	Painting conservator, Restaurierungszentrum der Landeshauptstadt Düsseldorf. Since 04/2004 as responsible conservator for the paintings of the 16th to the 19th century
1997 until 2002	Studies of conservation at the Hochschule für Bildende Künste, Dresden
1995 until 1997	Internship at the Rheinisches Amt für Denkmalpflege, Brauweiler

Membership

Since 1995 Member of the Verband der Restauratoren (VDR)
Since 2002 Member of ICOM

Publications

Anja Wolf, Jens Bartoll: „In der Werkstatt der Künstlerin. Zur Maltechnik der Anna Dorothea Therbusch“, in: Anna Dorothea Therbusch. Werke, Technik, Kontext, ed. by Nuria Jetter, Petersberg 2024, pp. 75-99.
Multiple contributions in: Netherlandish and French Paintings. 1400-1480: Critical Catalogue, ed. by Stephan Kemperdick and Katrin Dyballa, Petersberg 2024.
"Die Taufe Christi von 1556 - insights into the working practice of Lucas Crnach the Younger" in: Anne Eusterschulte (et al.) (Eds.), Lucas Cranach the Younger an the reformation of painting, Munic 2015.
with Mechthild Most (et al.), "On the painting technique of the two Cranach an their workshops" in: Cranach and the Renaissance Art under the Hohenzollern, Exhibition Catalogue, Stiftung Preußische Schlösser und Gärten Berlin - Brandenburg, Berlin 2009
"The filling of tears in perspex using the example of the work "Strahlenfall" by Gerhard Hoehme" in: Contributions to the preservation of art and cultural heritage, Vol. 1, 2005
"The use of a fine blasting device in the conservation of easel paintings - mode of action, possibilities, boundaries", CD-Rom, Anton Siegl Verlag, München 2002 (out of stock)

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