CAHIM - Scholarship programme with the Kunsthistorisches Institut in Florenz – Max-Planck Institute: Connecting Art Histories in the Museum
‘Connecting Art Histories in the Museum’ combines academic and museum research with curatorship. Four outstanding international young art historians spend one to two years investigating artistic and cultural interactions in the Mediterranean region and Asia, using the objects from the Staatliche Museen’s collections. An important area of their work is taken up with presenting their findings in a museum display.
Set up as a joint project between the KHI and the Staatliche Museen zu Berlin, the innovative fellowship programme focuses on artistic and cultural interactions in the Mediterranean area and Asia, with a focus on the period between 400 and 1650. The scholars study museum objects or groups of objects with the aim of establishing a dialogue between Western, Byzantine, Islamic, and Asian art histories. Instead of concentrating exclusively on the objects’ place in the history of pre-modern art or their museological aspects, the research programme is concerned with the modern repercussions and expressions of interactions between diverse historical topographies.
These dynamics are examined in the light of the following questions: How can art-historical research deal with the transfer and exchange of moveable or immoveable cultural heritage? How did museums in the past articulate political and cultural attitudes towards historical sites of the production, accumulation, and translation of artefacts? And how do museums, especially new museums, do this now? How do museum displays evaluate and present the ritualistic and aesthetic dimensions of objects? What possible dynamics exist between objects in the museums that are alien to each other in provenance and historical context?
Museums play a key role in the on-going redefinition of art and art history and their relation to aesthetics, anthropology, and politics in the decentralized, globalized 21st century. With its ‘universal’ collections, the Staatliche Museen zu Berlin participates in this process in a particular way, offering a unique opportunity for research using multidisciplinary approaches on artefacts from different cultures and civilizations. International doctoral students and postdoctoral researchers in art history and related disciplines are entitled to apply for the fellowship programme. Fellows also have the chance to provide curatorial assistance on individual exhibitions, as well as contribute to the development of new concepts for exhibition practices. The joint activities of the research group, such as seminars, workshops, excursions, and conferences, allow academic exchange and research collaboration both within and outside the museum.
The Kunstbibliothek, Museum für Islamische Kunst, and Museum für Asiatische Kunst have been involved in the project since 2010, the Ethnologisches Museum since 2014. A series of initial publications on the research findings are currently being planned.
Prof. Dr. Gerhard Wolf, Director of the Kunsthistorisches Institut in Florenz – Max Planck Institute
Dr. Hannah Baader, project manager of the Minerva programme, Kunsthistorisches Institut in Florenz – Max Planck Institute
Prof. Dr. Michael Eissenhauer, Director-General, Staatliche Museen zu Berlin
Dr. Jörg Völlnagel, Head of exhibitions, research, projects, Staatliche Museen zu Berlin
Current scholarship holders:
David Horacio Colmenares, Kunstbibliothek: The Egyptian Conjecture: Material Crossovers in Early Modern Antiquarianism
Priyani Roy Choudhury, Museum für Islamische Kunst: The Fashioning of a Mughal City: Fatehpur Sikri
Dr. des. Ines Konczak, Museum für Asiatische Kunst: Kulturaustausch an der nördlichen Seidenstraße im Spiegel der Wandmalereien Kučas (Xinjiang, VR China) Überlieferung und Wandlung der Darstellung materieller Kultur
Dr. Zhihua Liu, Museum für Asiatische Kunst: Object, collection and identity: A case study of the decorative object in the studio in Ming dynasty
Dr. Mathias Fubah Alubafi, Ethnologisches Museum: Beyond the Bamum Throne at the Berlin Ethnological Museum
Dr. Ching-Ling Wang, Museum für Asiatische Kunst: Praying for Ten Thousand Goodness: On Ding Guanpeng`s The Buddha Preaching in the Berlin Collection (Museum füe Asiatische Kunst)
Dr. Magdalena Wróblewska, Kunstbibliothek: Between artifacts and their representations. The Rhetorics of Artworks’ Reproductions from the Photographic Collection of Art Library in Berlin
Dr. des. Satomi Hiyama, Museum für Asiatische Kunst: The Transmission of the Ornamental Motives in the Wall Painting of Central Asia
Dr. Nadia Ali, Museum für Islamische Kunst: Deconstructing the Muslim Self and its Relevance to the Study of Early Islamic Art
Dr. Amanda Phillips, Museum für Islamische Kunst: Actively Seeking Consumers: Everyday Objects of Islamic Art in their Social-Historical Context
Dr. Eva-Maria Troelenberg, Museum für Islamische Kunst: Grundsteine islamischer Kunst: Mschatta in Berlin
Dr. Friederike Weis, Kunstbibliothek: Prozesse der Bildfindung. Rezeption und Interpretation von Geschichten biblischen Ursprungs in der islamischen Buchmalerei