The Busts in the Kolonnadenhof

On the eastern Facades of the Neues Museum six marble busts are arranged in the colonnades.

Das Foto zeigt die Marmorbüste von Friedrich Drake, die auf einem Granitsockel steht.

Max Klein (1838 – 1889 ) (after Karl Keil)
Friedrich Drake, 1906
Marble Pyrmont

Friedrich Drake (1805–1882) is the second sculptor after August Kiss to be commemorated in the display of portrait busts outside the Neues Museum, in honour of his contribution to art and art history, especially in Berlin, and on the Museumsinsel. A pupil of Christian Daniel Rauch, Drake was the creator not only of ‘Victoria’ (1869–73), which stands atop the Siegessäule in Tiergarten, but also of ‘Peace’ and the relief ‘History Instructing the Arts’ (1854) set in the tympanum of the eastern pediment on the Neues Museum.





Das Foto zeigt die Marmorbüste von Alois Hirt auf einem Sockel stehend.

Rudolf Siemering (1835 – 1905)
Aloys Hirt, 1874
Marble

When it opened in 1830, the Altes Museum at Lustgarten initially displayed antiquities and the Gemäldegalerie’s collection of paintings. Its founding was primarily conceptualized by the important historian of art and architecture, Aloys Hirt (1759–1837). He not only compiled a three-volume ‘History of the Architecture of the Ancients’ (1820–27), but also worked as an art consultant to the Prussian Crown. He initiated the founding of the Bauakademie in Berlin and, starting in 1810, was the first professor of archaeology at the newly-founded university (now Humboldt-Universität).





Das Foto teigt die Marmörbuste Carl Schnaases auf einem Sockel stehend.

Joseph von Kopf Unlingen (1827 – 1903)
Carl Schnaase, 1877
Marble   

Esteemed in royal circles, portraitist Joseph von Kopf sculpted the bust of art historian Carl Schnaase (1798–1875) while in Rome. Along with Gustav Friedrich Waagen and Franz Kugler, Schnaase belonged to what was termed the ‘Berlin School’ of art history. Shortly after the publication of Kugler’s ‘Handbuch der Kunstgeschichte’, Schnaase released the first volumes of his eight-volume ‘Geschichte der bildenden Künste’ (or ‘History of the Fine Arts’). In this series, which was never completed, Schnaase’s critical point of departure was no longer the individual artwork itself, rather art history, seen as part of the wider cultural and intellectual history.




Das Foto zeigt die Marmorbüste von Gustav Freidrich Waagen, der den Blick leicht nach rechts gerichtet hat. Auch deise Büste steht auf einem verzierten Sockel.

Julius Franz (1824–1887) 
Gustav Friedrich Waagen, 1885
Marble   

The portrait bust depicts the art historian and first director of Berlin’s Gemäldegalerie, Gustav Friedrich Waagen (1794–1868). Waagen made a name for himself through his systematic and chronological hang of works from the Gemäldegalerie collection. When it went on show at the Altes Museum, it was arranged according to schools of painting. His extraordinary professorship at Berlin University resulted in the history of art being recognized as an academic discipline for the first time.







Das Foto zeigt die Marmorbüste Franz Kuglers, mit Kinn- und Backenbart auf einem Sockel stehend.

Wilhelm Wolff Fehrbellin (1816–1887)
Franz Kugler, 1870
Marble 

This marble bust represents one of the first prominent German art historians: Franz Theodor Kugler (1808–1858). Soon after publication, both his ‘Handbuch der Geschichte der Malerei’ (1837) on the history of painting and his ‘Handbuch der Kunstgeschichte’ (1842) on art history were canonized as standard works. Kugler became famous for writing the first biography of Karl Friedrich Schinkel and a history of Frederick of the Great, which was illustrated by Adolph Menzel. From 1843 onwards he worked as a senior advisor on art at the Prussian ministry of culture.






Das Foto bildet die Marmorbüste von Augst Kiss, mit dicken Koteletten, den Kopf leicht nach links gerichtet.

Gustav Blaeser Düsseldorf (1813–1874)
August Kiss, 1871
Marble

The facade of the peristyle formed on the eastern edge of the Neues Museum is lined with a series of busts of eminent figures variously connected with art in Berlin in general and the Museumsinsel in particular. August Kiss (1802–1865) was an important Berlin sculptor who worked closely with Schinkel, architect of the Altes Museum. Kiss sculpted the ‘Fighting Amazon’ (1842) in front of the Altes Museum and the relief ‘Art Instructs Industry and the Crafts’ (1862) in the tympanum on the western pediment of the Neues Museum. In addition, the sculptor made a significant endowment of artworks to the Nationalgalerie collection upon his death.





Link to sculptures in the Kolonnadenhof

All images © Staatliche Museen zu Berlin/ Andres Kilger

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