A-Z. The Marzona Collection
Hamburger Bahnhof - Museum für Gegenwart - Berlin
The exhibition "A-Z. The Marzona Collection" is a celebration of the conceptual art of the 1960s and 1970s and illustrates the contemporary relevance of works from this era. The presentation spans the next two and a half years and features the collection of Egidio Marzona, which primarily consists of works of American and European Conceptual art, Minimal Art, and Arte Povera.
The letters of the alphabet offer the basis for a versatile and consistently varied approach to the diverse works in the Marzona Collection. The semiotic structure of the alphabet is used to highlight ideas inherent to the works exhibited and provides a stringent yet open-ended format for the exhibition programme. Individual artistic positions, important historical exhibitions, and artistic genres are examined. The presentation is altered every quarter of a year in keeping with the sequence of the alphabet.
#6/9 PQR (26. 5.-30.8. 2015)
Starting on 26 May 2015, the ongoing series 'A Z: The Marzona Collection' will shift its focus to the next letters in the alphabet, with the next instalment, #6/9 PQR. Starting with P, the display takes a look at the theme of 'process', as best highlighted in the works of Mario Merz, Hanne Darboven, and Roman Opalka. The letter Q stands for 'Questions & (various) Answers'. This room has been curated by the artist group Myvillages, at the invitation of the museum's art education and outreach department. In the participatory space, visitors will be able to trace and determine the formation process behind art and exhibitions. And finally, under the letter R, a separate room will be dedicated to the work of Ed Ruscha, in particular his artist's books.
#5/9 MNO (17.2.-17.5.2015)
As from 17 February 2015, the exhibition #5/9 MNO - the fifth of altogether nine presentations of the Marzona Collection - focuses under the letter M on Minimal Art, one of the core strands of the Marzona Collection. The second room situates Conceptual Art and Minimal Art in the geographical context of N for New York. The significance and vitality of this art centre in the 1960s and 1970s are vividly conveyed through magazines and artists' books. O for Ort (in German Site) looks at site-specific works of Land Art. At the end of the 1960s, artists such as Michael Heizer and Robert Smithson quit the gallery space and worked directly in and with the landscape. Soil, sand, sun and the tides became their artistic materials. Together with Minimal Art this trend led to the most radical artistic concepts of the day.
#4/9 JKL (25.11.2014-8.2.2015)
Artist Ruth Buchanan (*1980) opened the "wild card" presentation, J-oker, with a large-scale intervention that was specially conceived for this exhibition series. She combined existing works from her archive, new pieces and works from the Marzona Collection into a site-specific interplay that moved with and against the conventional principles of collecting and exhibiting art. Under the title of K-ubus (in German Cube), the second room was devoted to geometric structures, which play a fundamental role in Minimal Art. This artistic occupation with the cube was further explored under the letter L in the third room, which showed works by the American artist Sol LeWitt.
#3/9 GHI (2.8.-16.11.2014)
Gehen (in German Walking) as artistic practice was explored under the letter G (with works by Stanley Brouwn, Richard Long and Hamish Fulton). As Handlung (in German Action), H thematized performative aspects of art in the 1960s and 1970s, and I took an idea-led tour of the most important currents in conceptual art, with works from Marcel Duchamp to Joseph Kosuth.
#2/9 DEF (2.5-27.7.2014)
Following on from this first presentation, rooms D, E and F were on view. D investigated the aspect of Documentation in Conceptual Art. E as Erhalten (in German Conservation) offered visitors a look behind the scenes at the activities of the museum's conservation department, and at the particular challenges that contemporary artworks present to a museum. And the third exhibition room F focused on Fotografie (in German Photography), which in the late 1960s took on renewed importance as an artistic medium.
# 1/9 ABC (23.1.-23.4.2014)
Beginning with the letter A, the first room offered a look at the Italian movement of Arte Povera. The second room of the exhibition was dedicated to the letter B and presented an installation by the French artist Daniel Buren and finally, the letter C addressed the exhibition catalogue as an artistic medium through C. 7500, the title of an exhibition curated by Lucy Lippard in 1973.
Next to the three rooms of the exhibition is the "Büro" (office), an open archive space where visitors can find additional information on the subjects, artworks and artists on show. A programme of events offers further opportunities to interact with and reflect on the presentations.
Curator: Lisa Marei Schmidt, Education and outreach: Daniela Bystron
Sun 11:00 - 18:00
Tue 10:00 - 18:00
Wed 10:00 - 18:00
Thu 10:00 - 20:00
Fri 10:00 - 18:00
Sat 11:00 - 18:00
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